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My tango is a language that has space for all sorts of thoughts and emotions. I don't like to limit my vocabulary or grammar structure to one particular way of speaking tango.
It is inevitable to develop some natural preferences through the years although I like to think that i'm brave enough to try new ways of approaching tango, risking a few errors outside my comfort zone in pursuit of new horizons. This is one of the reasons I love this language. you can challenge yourself as much or as little as you want.
I have been lucky to have had first hand access to some of the best dancers and teachers in the world.
Among the dozens of teachers i owe something or another for my dance, my never ending tango adventure is not complete without specific mention of :
Metin Yazir, my first teacher who gave me a robust framework to understand, dance and teach this feeling we call tango.
Gustavo Naveira and Giselle Ann, whose workshops provided very high standards to aspire to early in my tango journey in 2001.
Cecilia Gonzales, who is my inspiration for how to be as a dancer, teacher and as a person since 2005.
Jaimes Friedgen, who found and made use of some of my sleeping abilities and gave me confidence in 2004 and then again in 2005.
Geraldine Rojas and Ezequiel Paludi, who warmly and generously helped me destroy everything i thought i knew and rebuild my tango self again since 2007.
Nancy Louzán, who i think about when reconciling my dancing since 2008. she is another wonderful tango woman to aspire to.
Ariadna Naveira and Fernando Sánchez, who have become my freshest delights for watching, listening and learning from since 2009.
other masters i would greet with my best boleo:
Mariano Chicho Frúmboli - the magnificent
Javier Rodriguez and Andrea Missé
Sebastian Arcé and Mariana Montes
Claudia Codega and Esteban Moreno
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